Fuller House Our Very First Show Again

Total Housewent off the air in 1995, when I was only iv and Bill Clinton was running for reelection. The economy was booming, and the political scandals that would come to ascertain the late nineties were still in the futurity. Global terrorism was on nobody'due south mind, you could still smoke on some airlines, and Kim Kardashian was still simply the child of OJ's best friend. What I'm trying to say is that the AmericaFull Housewas a part of was mayhap a niggling less complicated, and certainly more innocent. The idea that Donald Trump would have a real shot at the presidency would take been the subject of a sketch buried at the back cease of a bad episode of SNL.Full Firm makes a petty more sense in that context. Which is part of the reasonFuller Housefeels very much similar an artifact of the past. It's culturally tone deaf. Information technology'due south a show completely bereft of pessimism or snark, untroubled by the weight of America's last two decades. Which is a big reason why it doesn't work. But there are many others.

Boy, hello, is there.

Here are some thoughts.

ane. Oh, good. A studio audience.

For the life of me, I cannot sympathise why this trope nevertheless exists in modern television. Canned laughter, sometimes known as a laugh track or "sweetening," has been on the turn down in America television sinceThe Officebecame the funniest thing on TV without the aid of a studio audience. The writ large discarding of laugh tracks allowed for sitcoms to abound and mature, leaving room to explore silence as a tool for humor too as allowing writers to cram every bit many jokes as possible into a script (encounter:thirty Stone). The most successful show on TV with a laugh track today is the heinous, bullshit excuse for a sitcom,The Big Bang Theory,which nobody would claim to be a paragon of quality tv. But this is a reboot of a testify in which a laugh track was a central role of the gear up-up. That doesn't mean information technology isn't still incredibly irritating to hear the disembodied voices shout "woooo!" every time a new character arrives or says 1 of their catchphrases. To quote… I don't know, one of them: "How rude."

ii. There is a very awkward reference to the absence of a central character

If you are a fan of the originalFull Business firm(which, full disclosure, I am non), y'all'll be disappointed to learn that Michelle, the precocious child played alternately by Mary-Kate and Ashley Olsen, does not appear on this show. The reasons seem fairly obvious to me (they are manner too successful, they probably wouldn't get paid that much, the script is terrible), only that doesn't stop the writers and the residuum of the bandage from throwing some deep shade at the twins. Early in the episode, one of the characters asks after Michelle, to which Bob Saget responds by saying she's "off in New York, running her manner empire." And so all of the characters on screen turn in unison and stare at the camera with a wait that says "see what your missing, Olsens?" Information technology's a very clear and, frankly, kittenish dig at the two most successful people to come up out of the show. It's also a cheap stunt to pull, because it is the first and last time the quaternary wall is broken in the episode. In that location's no cohesion of style, making the moment feel like a agglomeration of petulant children pulling what they call back is a brilliant prank on the pop kids. Instead, information technology'south merely depressing.

3. Hey! A laugh!

Throughout the entire episode, I laughed but one time. There'southward a moment when the whole crew is standing in the living room and somebody'south phone goes off. Instinctively, anybody checks their pockets, and Joey (a remarkably good looking John Stamos) pulls out his phone and says "information technology's me!" What's bang-up about this moment is that 1) it acknowledges that we're in 2022 now, and 2) basically anyone who has a phone has had a similar experience. Most of the show's "humor" is predicated on beingness familiar with the characters (and I use that discussion very lightly), so if you're not in on the show'southward history, you're probably not going to find any of information technology very funny. And I'one thousand guessing it would be a stretch even if yous are. So it was squeamish to have a moment where the writers make a 18-carat observation instead of relying on tired tropes and catchphrases. Which is what they practice for the residue of the episode.

four. This show is 1 long, drastic pandering session

Over the form of the commencement thirty minutes of this new season, there are: iii sing-a-longs, 1 dance number, eight recitations of catchphrases, and 2 references to Donald Trump. It's basically a agglomeration of guys in their late fifties sitting around a table and request each other, "what do people similar?" and somebody said "music? Stuff people know about?" "That'southward practiced let'south merely practise that." At that place'south no character building or striking out in interesting directions. It's basic rehashing of what "worked" in the eighties and nineties.

v. There are some alarmingly grown up moments

That all existence said, the show does occasionally attempt to have it'south cake and consume information technology, as well. In that location are some moments that fabricated me do a double take. In that location are a surprising number of sex activity jokes throughout the episode, none of them very good, and a couple of them extra creepy. At 1 indicate, Kimmy Gibbler walks into the house unannounced, to which Bob Saget asks "What if I had been in my underwear?" Kimmy replies, rather blithely, "Whatever. Information technology'due south not like information technology's anything I haven't seen before. I grew upwards with my window across from yours." The implication of that is that Kimmy watched Bob's character get dressed throughout her babyhood. And, presumably, watched him have sex. Ew. Ew. But these moments become across just the weirdly sexual. DJ'southward husband has apparently died in a burn (he was a firefighter), which is why everyone has gathered together to help raise her child. Information technology'southward sort of an inverse of the original show, with 3 women raising a kid instead of three men. Simply that'southward a pretty depressing fact to share with the audition right out of the gate. Yeesh.

6. Kimmy Gibbler is Fuller Houses'Anne Veal

Anne Veal is George Michael's girlfriend on the show Arrested Development.If yous're not familiar withArrested Development, first of all, shame on you. Go watch it right now instead of subjecting yourself to this show. It'south as well on Netflix. Seriously become watch it. I'm not kidding at all. Hither's the link fifty-fifty. Anyway, Anne Veal is the plain Jane of the show, the graphic symbol everyone else is constantly forgetting about. Every time someone mentions her proper name, they reply with "Her?" Kimmy Gibbler serves the same purpose. If she'southward always cast in a positive light past whatsoever of the characters, the immediate response is "This Kimmy Gibbler?" It's weak and doesn't have the same touch as AD'due south "Her?" In fact, it just comes off as really hateful. They grew up with this girl, why are they so flabbergasted that anyone would like her?

7. Joey has a terrifying woodchuck puppet

In attempt to placidity DJ's squalling baby, Joey brings out a giant woodchuck puppet, which makes the baby even more scared. And no fucking wonder, that thing is a nightmare. Joey always struck me as creepy, just this is some side by side level concern.

8. A dog goes into labor

Comet Jr. Jr. Jr. (gimme a break) is going into labor, so the whole crew has to pull together to assist her! I assume Comet was the name of the dog in the original series, and this is the great-bang-up granddaughter of the original Comet. Why we needed to see a dog giving birth is beyond me. But nearly of this evidence is beyond me, so peradventure I'grand not the person who should be asking these questions.

ix. Steph and her accent

Stephanie has spent some time in England and has come back with a mightily insufferable English language accent, to which she insists she doesn't notice. But as soon as she smells Kimmy's smelly feet, she drops her accent with a cry of "How rude!" and the audience just loses their commonage shit. I estimate all that is supposed to be funny, just it simply makes Steph look annoying as hell and maybe a little bit stupid.

x. Flintstones… how timely

In an endeavor to make the baby cease crying (once again), every torso circles effectually his crib to singThe Flinstones theme song. All of a sudden, a split screen pops upwardly with them singing doing the aforementioned matter all those years agone with Michelle when she was a baby. I get it, it'due south supposed to illicit a warm feeling of nostalgia. Merely actually it just feels deeply forced. At this betoken, a big percentage of the audition probably has never watched an episode ofThe Flinstones.Simply this isn't a bear witness for newcomers, is it? No, information technology'southward very clear that this is a show for people who lovedFull Business firm and want to visit with their sometime friends. I guess I only don't get why they wanted to hang out with them in the kickoff identify.

Tags: bob saget, Total House, Fuller House, John Stamos, Netflix, Netflix Original

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Source: https://insidepulse.com/2016/03/01/10-thoughts-on-fuller-house-our-very-first-show-again/